Tuesday, April 12, 2016

Machismos Waiting for Monsters: A Review on Monsters: Dark Continent

From the first agonizing 15 minutes or so, before fast forwarding nearly the entire film, looking for monsters that I now hope killed off the entire cast of characters, I realized I don't hate myself enough to waste 119 minutes of my time on a film that should probably not have been made to begin with. While the film does not have the energy I was hoping for, Monsters: Dark Continent, directed by Tom Green, does have some interesting aspects that separate it from other horror/science fiction films. For instance it focuses on characterization, mood and tone, and it connects social, economic and other issues of war and violence to the backdrop of a monster invasion. However, this might be part of the issue, that the Monsters are more of a backdrop for other events of an unlikeable cast of a machismo person's fantasy.

The story centers around what is supposed to be a reluctant soldier/street-smart tough guy, who begins the film's dialogue with, "Put a bullet in an alien." This is spoken over footage of him emptying a clip into a wall covered in graffiti. A scene that’s supposed to illustrate his bad-assness, but it all feels forced. Right from the start we are shown and told, this is the sort of guy who romanticizes or practices snuffing monsters. But it’s done in the same way that a socially awkward barfly might try to reiterate that they are tough while slouched over his drink and then give you one weak example after another.

Later, he meets up with his grab-bag group of cliché frat boys, and while doing so, the film found a
way to send the message that women are personality-less sex toys and baby makers. This little subtext becomes painfully clear when the guys meet up with frat soldier #3 and he immediately abandons his girlfriend after she's just given birth to his son. He abandons her to hang out with his boys and there is no more reference really to that. This later relies on other tropes of the stereotypical machismo male, like the Badass as a Macho, stereotypically manly guy banging hookers and snorting cocaine. This is also blended with the Jingo trope, a soldier who’s excited to serve his country and engage in combat. Because all these rely on a similar mindset and point of view it’s difficult to not only distinguish them from their machismo attitude of war and women but to really identify with them.
There are only about three scenes with women. Each scene is unapologetically sexist and panders to not only a male audience, but doesn’t offer anything different. They could have easily filmed this movie without any women in it at all, but clearly went out of the way to portray them in the most degrading way possible. This was a bit strange because the first movie is actually a bit more balanced as far as the two roles go.

Overall, much of the carefully placed themes and action was so buried under macho gun play and man vs. man battles with almost no monsters whatsoever, that the underlying message gets fuzzy. The cast is so frat-house and relies so heavily on the archetypal tropes they personify to carry anything beyond the weak plot of a war based videogame’s downloadable content –in which, this might have actually been more successful. The main characters are one dimensional and immediately dislikable. The movie itself did more than fall flat, it is downright terrible.

Shuvon Hernandez

Thursday, November 12, 2015

Dreaming of Chicago's Inside: HI typ/O "Rebuilding the Salon" by Miranda Steffens

Image: Ji Yang gives a walking tour of Chicago during HI typ/O's "Re-building the Salong Presentation.

On November 7, an intimate group of writers, performers, artists and supporters gathered at Side Project Theatre in Rogers Park for HI typ/O “Re-building the Salon Presentation.” The theme of the event was from the larger Chicago art event was part of the Chicago Artists Month event, 'City as Studio.'

Upon entering the lobby, members of HI typ/O, Rebekah Hall, Jill Stone, Kevin Sparrow and others greeted us with offerings of potato chips, sparkling water and single-serving bottles of red wine. Ji Yang sat behind the table of food and drinks while he opened packages of wooden chopsticks and taped them together, end to end.
"What are you doing?" I asked Ji.
"Taping chopsticks," he simply replied.
"For a performance?" I pressed.
He did not respond, but nodded briefly.

The set began with some opening remarks by Rebakah Hall, who gave a brief background of HI typ/O. She references the artist and professor, Matthew Goulish, whose class, Abandoned Practices, inspired the group's beginnings. "You need the freedom that the possibility of lack of results brings. Without that freedom there is no discovery. . . You have to be okay moving into the unknown," she quotes Goulish. The salon is designed for artists to explore, try new things and respond to each other's work in the form of new creative pieces.

Alex Shapiro then read a poetry piece, "A City's Insides," referencing the cracks of the city. Rachel Blomstrom followed up with a make-believe history of the Shed Aquarium, involving the founder's somewhat unusual relationship with a coy fish. Then we left the theatre space and returned to the lobby where Ji was finishing taping chopsticks together to make what was now clearly a cross.

Ji's performance began with the question, directed towards an audience member, "Do you have a dream?"
"Yes, I have a dream," she replied.
"Would you like to tell me what it is?"
"To spend a year traveling the world," she told him.
"Very good," he said, and he took a potato chip from the bag of Lays. He placed it into her mouth and poured wine from one of the small bottles into the cap, handing it to her to drink like communion.

Ji's performance ended with a walk to the lake, the cross of chopsticks tied to him with the use of a long, red cape. We followed him as if he was a religious leader, only he did not preach religion. We followed him down the chilly street towards Lake Michigan for the sake of his art, for the poetry he expressed about Chicago being a beautiful city. From an outsider's perspective, of course it looked like we believed he might be the next Jesus Christ. As we walked, some pedestrians stopped and stared. One woman standing outside a Pace bus asked, "Who is he? Who is he?" and we smiled at her or pretended not to hear, unsure of how to explain.
"Chicago was beautiful city,
but it is not anymore."
Illustration of Ji Yang by David Scheier

As we walked, he reminded us that Chicago was six inches higher than it currently is, now that it has been built up atop a marshland. He proceeded to suggest we continue the change we have begun on this city, and make it warmer. He proposed we turn the suburbs into a landfill, raising them into small mountains, thus turning Chicago into a valley. It would raise the temperature by an average of 10 degrees, he argued loudly and passionately.

Many of us stood in a semi-circle shivering slightly in the setting sun of the crisp fall day; the idea did not seem half-bad.

We returned to the theatre, stopped to admire Alex Shapiro's sidewalk poetry of words made of earth. Inside, Andrew Rutherdale impressed us with a demonstration of how a Kombucha Scoby can conduct electricity. Kevin Sparrow read his concrete poetry, each poem referencing and honoring a famous Chicago building. Chelsea Fiddyment read, "How to Sleep with Men," which explored age and its affect on  relationships. The event concluded on an energetic note with Vaudezilla Studios' dance, “The Fanaticz."

The varied performances stretched our minds into new ways of thinking about our home, the city of Chicago.

Miranda Steffens is a poet and essayist living in Chicago. She is the author of lyric essay book, Peripheral Vision, published by Meekling Press. Her poetry and prose have appeared in Entropy, South Dakota Review, Hoot Magazine, Apple Valley Review and Upstairs at Duroc. She received her BA in Creative Writing from Knox College and her MFA in Writing from The School of the Art institute of Chicago. She currently teaches college English and ESL. Visit her blog at: https://mirandasteffens.wordpress.com/

HI typ/o is a space for community-based, collaborative art-making in dialogue with fellow interdisciplinary artists. Visit them here: http://hitypo.tumblr.com/ or here: https://twitter.com/HItypOsalon

Friday, April 3, 2015

Dreaming of Retro Gaming Revival via Homebrew: Polyko's Super Jelly Bean Quest in the Sketchbook of Illusion

This may very well be the longest Subterranean Art Jive title posted yet, but the blurb shall remain condensed for online readability for this wonderfully simple viddy-game.

But first, a small rant on video games and art. In the past few years, home brew video games have been popping up and gaining steam on almost every platform. Many of these games possess artistic flair and creativity that many big companies seem to avoid in their AAA video games, since they tend to recycle patterns and game-play that is popular. For example, when Street Fighter 2 came out in the early 90's, many fighting games followed suit. Still, even with this growth and imitation game there is still artistic sensibility with large and small companies. This may be obvious to some, but many mainstream games can be classified as art and this, I think, can be seen with the recent Smithsonian exhibit, The Art of Video Games (2012) --not to mention the many recent exhibited forms of gaming and game mechanics of mixed-media and glitch art. Additionally, like all art forms that tither on the realm of art and pure entertainment, some of the principles and opinions about what makes one of these pieces art can be considered art in one arena and not in another. Regardless of the intention and vocabulary used to suggest a video game is art, one must agree that much of what goes into the process of a game is art. Thus, even if the final product is pure pixelated entertainment, the design, the visual effects, concept and what may be the most defining factor here, the game play which may challenge a player to think about the real world and the digital world in ways they never really thought of before. For example the game Rez or LSD: Dream Emulator all come from an artistic sensibility.

On with Polyko's Super Jelly Bean Quest in the Sketchbook of Illusion by Hotpengu and ported by Senile Team. Polyko offers something different from a mere Mario clone. It is serine, meditative, and while it feels a bit like a tribute to the games of yore, it is original in its execution. This game is made by and for people who love classic platforming in surreal environments. Everything seems alive and interactive, similar to the old meta-games of the past or a Looney Toons episode, and much like its genre it focuses on jumping from one platform to the next to collect items, in this case jelly beans. One cannot die in this game, nor are there enemies to fight. The story follows an artist who falls into the pages of his sketchbook. The graphics are vintage, but well-done and will last for years to come, like Super Mario 3, Rayman or Astal. The game focuses purely on exploring this small yet complex and puzzling world, one level, collecting jelly beans, and playing for the sake of playing. It seems almost like a taste of nostalgia, and the taste is that of 31 flavors of jelly beans. It is a game made to inspire memories of the past or to encourage one to create a dream world of ones own. The game is imaginative, though short, and after playing I found my self wanting to draw.
"Mad Jelly Bean" a response by David Scheier
Senile Team is becoming one of the most well known homebrew developers out there, stretching from games playable on the Sega Dreamcast to computers and even more recent platforms, like Xbox 360, Playstation 2, etc. Senile Team is responsible for one of the most popular homebrews, Beats of Rage, an open source game inspired by the Streets of Rage franchise.

There are a number of ways to play this game, however I'll list one option that is the most fun, playing on your Sega Dream cast (if you have one) and freely downloading the game to a disk from the Senile Team's easy to navigate website: http://www.senileteam.com/polyko.html

Tuesday, December 17, 2013

The Orgone Trail: Interview and blurb on Orgonite El Paso

2013: In late August Mando Blanco, a.k.a. Orgonite El Paso hopped into the back of a van packed with musicians for a triangular road trip.
"A Coil" by David Scheier and Adobe Illustrator
His journey went from El Paso, Texas up to Chicago, Illinois and back down to New Orleans before hooking back west. Blanco was on a mission or a pilgrimage of sorts, selling his merchandise which varied into these categories: necklaces, bracelets, charms, medallions, "vortex generators," figurines and other trinkets which he kept in a small black case. During his visit to Chicago I met up with Mr. Orgonite El Paso for a few drinks, to catch up on our youth in El Paso, and to talk about Mandos movement from traditional art and stand-comedy to his new venture Orgonite*. His drawings were typically of the macabre: zombies, skeletal minions, deformed people, and demons. One can purchase a skull pendant in the style of a (Día de Muertos) sugar skull. Every piece is hand made and has a bit of steam-punk charisma. Orgonite El Paso still does illustrations too, only now they are based on many of the Orgonite Concepts and mathematical equations.

Stolen from Orgonite El Paso's Facebook
An example of one of his sugary Orgo-skulls is provided for your eyes to salivate. Regardless if one is thrilled for the energy saving uses these items claim to have, or if one finds them beautiful, it might be beneficial to hear or see (video link provided) what Orgonite El Paso's purpose as an artist is all about.

My purpose, to allow him a great length to voice of his craft and to promote what I admire; the intricate and delicate art that goes behind each product. As a side note, I do not have an opinion on the matters of Orgone energy and its effects. My intent is only to distinguish good craftsmanship, artistic bravado, and a passion for sharing oneself with the world by creative expression.

For the full interview go here: http://subterraneanartjive.blogspot.com/p/blog-page_14.html
Or watch below for the full length viddy interview:

Subterranean Art Jive (SAJ): Why Orgonite?

Orgonite El Paso (OEP): [On the start of his Orgonite career] I became a conspiracy nut and was looking for solution's. I believed in reptilians, thought reptile people existed. I found this information online regarding how to spot a reptile: Wear a piece of Orgonite. "Lizard people" react badly to Orgonite. However, I never experienced a lizard man. Coincidentally the pendent I wore to ware off lizard folk lead me to meet other Orgoes [a term of endurance for Orgonite lovers and users].  

SAJ: [Being an illustrator, pen and ink artist] How did your art change after shifting to Orgonite?

OEP: My talent, anything I see, I can put on paper. Orgonite is based on Wilhelm Reich's vortex based mathematics. After a year of decoding math I started to incorporate it into my artwork and it manifested into something different. It was based off of sacred geometry: the blue print of the universe.

: Why Jewelery?

OEP: I want people to be encouraged to think critically when engaging in New Age, spiritualism, and Orgonite, there's a lot of fallacy. Be objective about what you are involved in. Many Orogonite dealers don't explain how this stuff works. I do, I actually utilize the crystals. At a store [in Chicago] a girl said it's not trendy enough. It is not going to catch on. A lot of people are making this stuff though.

: I wanted to convince people to buy one and then explain what it is, make it look cool -- pretty.

: What is the one thing you would like people to take away from your work?


What follows is an illustrated response to Orgonite El Paso
done in a fashion that seems to imitate Blanco's past style by David Scheier:

Make sure to check out Orgonite El Paso's Facebook page for jewelry listings and events: https://www.facebook.com/OrgoniteElPaso

And check out his YouTube account for workshops and other interviews: http://www.youtube.com/user/OrgoniteElPaso/videos


* Orgonite
In the 1930's and 1940's, Dr. Wilhelm Reich was able to detect and measure the existence of etheric energy (life energy, chi, etc.), which he called orgone, using a modified geiger counter "(Orgonite" definition from: Orgonite [dot] info.  n.d. Orgonite.info. 17 Dec. 2013).

* Chem-trails: a visible trail left in the sky by an aircraft and believed by some to consist of chemical or biological agents released as part of a covert operation ("Chem-trail" definition. Oxford Dictionary [dot] com. 2013. Oxford Univ. Press. 17 Dec. 2013).